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Typeset in Mango © 2020
Typeset in Mango © 2020
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Desicember
1
RISD Fall 2018
Advised by Paul Soulellis
Advised by Paul Soulellis
2
Film festival with a series of film/television screenings; panel discussions; creating, writing and acting workshops scheduled through the month of December culminating in a 3 day publishing party to showcase and celebrate films, scripts, characters etc. created by the participants
3
“For a long time stereotypical representation of South Asians a.k.a Desis in popular culture has propagated prejudice.
Desicember is dedicated to providing a platform for young adults to contribute to the dialogue that artists like Kumail Nanjiani, Hari Kondabolu, Mindy Kailing, Hasan Minhaj, among others, have started; to be inspired and encouraged to rethink, reshape and rewrite rigid perceptions;
to uplift the American Desi community; and to end the year on a spirited note.”
4
Identity inspired by hand-painted typography that is characteristic of South-Asian signage and plays with its inherent two-dimensional three-dimensionality (flat/planar three-dimensionality) to allude to the dimensionality of desis in film and television.
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Campaign + Identity + UI/UX
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↖
◯
↘
◯
◯
Desicember
1
RISD Fall 2018
Advised by Paul Soulellis
Advised by Paul Soulellis
2
Film festival with a series of film/television screenings; panel discussions; creating, writing and acting workshops scheduled through the month of December culminating in a 3 day publishing party to showcase and celebrate films, scripts, characters etc. created by the participants
3
“For a long time stereotypical representation of South Asians a.k.a Desis in popular culture has propagated prejudice.
Desicember is dedicated to providing a platform for young adults to contribute to the dialogue that artists like Kumail Nanjiani, Hari Kondabolu, Mindy Kailing, Hasan Minhaj, among others, have started; to be inspired and encouraged to rethink, reshape and rewrite rigid perceptions;
to uplift the American Desi community; and to end the year on a spirited note.”
4
Identity inspired by hand-painted typography that is characteristic of South-Asian signage and plays with its inherent two-dimensional three-dimensionality (flat/planar three-dimensionality) to allude to the dimensionality of desis in film and television.